The Creek

“And on my poor little soul, still blank and calm and full of expectancy, the lake and mountain spirits etched their proud deeds. Rigid cliffs and scarred precipices spoke, in tones of awe and defiance, of the age that had given them birth. They spoke of ancient days when the earth heaved and tossed and in the moaning agony of birth, thrust mountain peaks and crests from its tortured womb. Rock masses surged upward, screaming and cracking until, aiming into nowhere they toppled. Twin mountains wrestled desperately for space until one rose triumphant, pushing his brother aside and smashing him. Even today you can find broken-off crags, toppled or split, clinging precariously to the edge of a gorge.”

Hermann Hesse <Peter Camenzind>

Greem Jeong explores the from of organic lines at the boundary between the solid and plan figure. She studies interactive objects by stimulating the senses and imagination of the audience. Mono series which mean “single”, the representative work of Greem Jeong, fill the space with a constant line as if it draws a picture. Inspired by the soft texture and long shape of the silicone tube, the construction material, Mono series are lifeless object but its organic curves give dynamic feeling just like living thing. This exhibition, which attempted various materials, shapes, proportions and etc. to experiment the possibility of variation in the element of line, transferred the inspiration from natural objects intact to the exhibition hall. The objects, created by imagining the edge or estuary of the nature that may exist somewhere, are decorated by borrowing seasonal scenery pictured by photographer Hyun-sung Park briefly. Hyun-sung Park is a photographer who materializes the scenes that remain like latent images and demonstrates the integrity of the object.